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I’ve been writing about the military, and my experience as a woman in the military, for some time. I flew as an air weapons controller with the Air Force E-3 AWACS in the early nineties (during Desert Storm and Operation Provide Comfort), and wrote a novel based on my experience called The Art of Uncontrolled Flight (HarperCollins, 2005). People were fascinated by the stories—what was it like, they wanted to know. They asked: how does it feel to be a woman in the military? I always felt like my answer was a little disappointing. It’s a hard life, I told them, not just for women, but for everybody. The last thing I ever wanted as a crew member was to be singled out as a woman. No, never—we were all one crew, right? No differences, right? Then, in 2003, I was watching the rape scandal unfold at the Air Force Academy. It wasn’t going well for anybody — the women who suffered, the institution of the Academy, or the male cadets, who felt the disgust of an outraged public and, in some cases, passed that hostility onto the female cadets who had worked so hard to succeed in their world. And despite all the hubbub, I thought the press hadn’t got the story right. There were some inflammatory pieces, but they missed the nuances — the camaraderie, the small victories and defeats — that happen in training everyday. And yet, the people I spoke to were fascinated! They wanted to know about the challenges women faced in military training. It was clear that they felt a real respect and awe, and they were mystified by the military culture. So I decided to write a novel based at the Air Force Academy. I did many, many interviews with the cadets and staff. I visited the Academy and got the opportunity to follow a few cadets around for a week. Because I hadn’t graduated from the Academy, I felt like I had to get the story right — the details of daily life and more importantly, the struggle we all face as part of the decision we make to become officers in the U.S. military. What a job! I spent over two years writing the novel. I wrote it from the standpoint of Brook Searcy, a female smack, and Brigadier General John Waller, the Commandant of Cadets. They both have their challenges. But they come together in the end of the novel in a way that shows, I hope, a kind of transition between the old and new guards of the officer corps.
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